Tokyo is huge and the architecture is fascinating. What seems obvious really became more obvious Sunday morning as we made our way to Ropongi and then to Ropongi Hills, a trendy area of the city not far from our hotel. Near the Grand Hyatt, we got our tickets and took the elevator up 52 floors to the City View — a round glass enclosed observation room with a small cafe, a museum, and incredible views — stunning views — of Tokyo. It was another crisp morning, about 60 degrees F, and the winds were gusting, but the sky was powerfully blue. The city sparkled. Towering buildings, patches of green parks, low warehouses and storage buildings down by the piers, and the deep blues of the seemingly endless bay. Captivating. We were there for more than an hour.
Then we explored the rest of that 52nd floor. There were scale models of the city that filled the side rooms. As many as 30 people at a time stood silently peering over the lucite walls marveling at the detail or identifying neighborhoods and buildings. On the walls, decade by decade descriptions of the development of the modern city of Tokyo. It was all in Japanese, but it was impressive even to my eye. The display in any language, was beautiful.
Finally we left the City View and explored Ropongi Hills. It was Sunday morning and already the foot traffic was building. Yes, a huge city with an increasingly huge population. We found a restaurant for an early lunch and then planned to head out to the Meiji Shrine.
Previously at the hotel when we inquired about the Imperial Palace, the attendant at the front desk took a post-it size paper and wrote the words "Imperial Palace" in Japanese characters. Often taxi drivers don’t know the English names of their shrines and tourist attractions. So rather than pointing to a location on a city map, we gave the driver the paper. Easy. Elegant.
We asked the waiter to write "Meiji Shrine." Smiling broadly, he returned with a small paper and it said, "I would like to go to the Meiji Shrine," in characters. We were off in the easy flow of traffic to some other part of the city and one of the most famous and most popular Shrines in Tokyo.
We stood several long minutes at the Gate, the 40 feet tall entrance to the grounds of the Shine. Amazing. Almost immediately we felt the reverence; others did too. As we made our way along the walkway, I listened to the "music." The crunch of gravel underfoot as hundreds of people walked the pathways in silence that was accentuated as kids intentionally shuffled along. Shush, shush, shush. The call of the ravens in the trees that, at times, swooping low overhead. A soft whisper of a breeze playing in the trees. It all added to majesty of the place and to the honor of the procession of people making their way to the Shrine of Emperor Meiji and his consort, Empress Shoken.
The Emperor Meiji is credited with bringing Japan out of the feudal system and out of over 200 years of isolation. He is credited with introducing Western technology and culture to Japan. He lifted Japan into economic viability and vitality as he ended the Edo Era and as he opened Japan to a new world in which the old structures — structures that needed to be replaced — broke down making room for a new way of living and a new way of being. It felt appropriate to be walking the pathways to the Shrine.
The buildings weren’t that impressive, but the energy was. The several original buildings, some still being restored, were traditional Japanese, Shinto. Practical. Symbolic. Not intended to dazzle. This temple is where the souls of Meiji and his wife are enshrined. There’s a reverence and a reverie here that supersedes the physical design. There is a presence here that is available without being imposing.
Meiji and Shoken wrote "Wakas." They are 31 syllable Japanese poems intended to offer subtle insight or guidance to living a better life. Meiji wrote over 100,000 of them; Shoken wrote 30,000. I purchased two. I reached into the box and dug around and picked one Waka for me and another for our Asia Excursion.
My Waka: "We shall fall behind our fellows in the world if, when we should advance, we make no move at all." — Emperor Meiji
I smiled thinking about how God/Goddess/All That Is — God, Goddess — are continually growing, becoming more. Our souls and Higher Selves are continually growing and becoming more. If we aren’t, we are falling behind. I like the phrase, "when we should advance."
The Waka for our journey: "As clear and refreshing as the rising sun — thus might it always be with the human heart." — Emperor Meiji
Okay, so I am going to begin each morning of our journey through Asia, with my heart open to the refreshing clarity of a sunrise. Focus on the light of a new dawn, of a new day. Always.
It was a magical afternoon. From the Shrine we walked the grounds. The call of the ravens was loud and persistent. One raven swooped low and landed on a fence. We chatted for a bit and then he flew off. We walked on.
The public access to the Shrine closed at 4:00 and we along with hundreds of people began meandering our way toward the gate. Around 4:30 we move with the steady flow of people through the narrow exit. Ahead of us, a grand boulevard of shops: modern shops, old shops, simple shops, and high end shops. Ahead of us, thousands of people strolling along the sidewalks, sidewalks that are 10 to 12 feet wide and the people are moving like an undulating human river. Amazing. Intriguing. It was Sunday early evening and there were throngs of people walking this shopping highway. I got a photo.
We walked or flowed with the crowd for nearly a half hour. It was our "grounding time." Hailing a taxi, we made our way back to the New Otani Hotel, Garden Tower. A fine day. A quiet night.